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thefashioncomplex:

Audrey Hepburn on the telephone, Paramount Studios, 1953 by Bob Willoughby on Flickr.

thefashioncomplex:

Audrey Hepburn on the telephone, Paramount Studios, 1953 by Bob Willoughby on Flickr.



 duanemieliwocki The crew eats.

duanemieliwocki The crew eats.


lettersfromtitan replied to your post: lettersfromtitan replied to your post:…

You are so right.

Success! I got something right today. The whole day is win.


lettersfromtitan replied to your post: Watching “The Today Show” with my girl…

Oh god, this is exactly what my house is like

Really? Which one are you? I’m going to say you are me in this scenario. Am I right?


  • Watching "The Today Show" with my girl this morning:
  • Me: I like Lady Antebellum.
  • My girl: I like *your* Lady Antebellum.


@chriscolfer: #HeForShe is a great cause to get behind! Please check it out. So proud of @EmWatson!

@chriscolfer: #HeForShe is a great cause to get behind! Please check it out. So proud of @EmWatson!


a-spoon-is-born:

I love that this is a headline I lived to see.


ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).


aplaceforart:

more art here

aplaceforart:

more art here